ENGL 5653: Emily Dickinson RESEARCH PAPER Student: ____________________________
MANUSCRIPT FORM S T
1. Is
the entire essay double-spaced, left-justified (NOT
right-justified), and printed in
Times New Roman 12, with one-inch margins on all four sides? __
2. Does the standard four-line heading (your name, instructor=s name, course number,
and date) appear in correct MLA form in the upper left of the first page of the paper? __
3. Does your last name followed by one space and the page number appear as a Aheader@
in the upper right of each page, beginning with page 1? __
4. Is the title of your paper
a fragment rather than a complete sentence, and is it correctly
capitalized, punctuated, and centered at the top of the first page of the essay, with no
extra spaces before or after it? __
CONTENT
5. Does the content
of the paper do one of the following for your chosen poem:
a. explicate the poem, integrating your own ideas with
those of the secondary sources? __ __
b. give your evaluation of different critical interpretations of the poem? __ __
c. argue for your position on a critical controversy relating to the poem? __
d. take some other approach approved in advance by the instructor? __ __
6. If the paper is
an explication, does it
a. explain the meaning of each line of the
poem? __ __
b. use poetic terminology to identify and
explain figures of speech and sound devices? __ __
7. If/when the paper
identifies critical controversies, do you
a. fairly acknowledge opposing views? __
b. make appropriate concessions to and find common ground with the opposition?
c. effectively refute opposing views?
8. Does the paper
make sense by itself, so the reader doesn’t have to refer to the poem? __ __
9. Is the paper clear and understandable
for its audience (classmates and instructor),
avoiding critical jargon and other unclear language? __
10. Is the paper logical and convincing for its audience? __
11. Does the paper demonstrate your
understanding of the poem you discuss? __
12. Does the essay demonstrate your understanding of the secondary sources you cite? __
ORGANIZATION AND DEVELOPMENT
13. Does the title of the paper clearly reveal the content of the paper by
a. identifying the name of the poet and the first line or number of the poem? __ __
b. using key words from the thesis? (Do NOT use a vague, unclear title.) __
14. Does the introductory
paragraph
a. catch the audience's interest in the paper? __
b. briefly explain necessary background
information about the poem or topic?
__
c. avoid beginning too far away from the specific topic and thesis? __
d. smoothly lead into the thesis? __
e. avoid excessive length, not exceeding one page at the very most? __
15. Does the thesis
a. appear at the end of the introductory paragraph? __
b. reveal your own interpretation of the poem
and/or critical controversy? __ __
c. clearly and concisely state what the body
of the paper actually supports? __ __
d. [optional; not applicable to explications:] concisely list (in parallel structure and in the
same order as in the body) the main points covered in the body? __
16. Do the body
paragraphs avoid illogical overlapping? __
17. Are the body paragraphs arranged in the most effective order?
18. Does each body
paragraph have a topic sentence that
a. appears at the beginning of the paragraph and/or
is easily recognizable? __
b. clearly supports the thesis?
c. covers the content of the entire paragraph? __
19. Does each body
paragraph
a. provide sufficient development from the
poem and from secondary sources to support
the topic sentence of the paragraph? __ __
b. rely on specific evidence rather than mere generalizations? __
c. avoid excessive length, usually not exceeding one
page? __
d. make clear how its discussion directly relates to the thesis? __
20. Does the body as a whole contain sufficient
evidence to support the thesis? __
21. Do you effectively use transitions
a. at the beginning (rather than the end) of body paragraphs? __
b. as needed within paragraphs? __
22. Does the concluding paragraph
a. restate the thesis (in different words)? __
b. answer the question “So
what?” or in some other way make the paper sound complete? __ __
23. Is the paper (excluding Works Cited) no
shorter than six (6) full pages and no longer
than nine (9) pages? __ __
RESEARCH AND DOCUMENTATION
24. Have you marked
and integrated photocopies or printouts of five (5) pages of
secondary sources, at least two (2) of which you have
quoted and two (2) of which you
have put in your own words?
25. Have you saved photocopies or printouts of all other secondary sources, in case there
is a question about them? __
26. Have you avoided
plagiarism by providing parenthetical documentation for
every quotation from the poem and every reference
to a secondary source's words or
ideas (except for common knowledge)? __
27. Are the parenthetical documentation
and punctuation after it in correct MLA form? __
28. Are the
parenthetical line numbers (for the poem) and page numbers (for secondary
sources)
a. exactly accurate? __
b. citable numbers rather than uncitable numbers from computer sources? __
29. Have you avoided
plagiarism by placing in quotation marks all direct quotations
of phrases or sentences from the poem and from
secondary sources? (Copying three [3]
or more words in order without using quotation
marks may be considered plagiarism.) __
30. Have you put most
ideas from secondary sources in your own words rather than
quoting excessively? __
31. Have you avoided
plagiarism by putting paraphrases and summaries completely
a. in your own words? __
b. in your own sentence structure?
__ __
32. Have you
understood and accurately represented the ideas of the poem and of
secondary sources? __ __
33. When you quote two (2) or three (3) lines of poetry, do you correctly use a slash mark
with one space before and after it to show where one line ends and the next line begins? __ __
34. Do you avoid long quotations—and use proper MLA form to indent poetic quotations
of four (4) or more lines and prose
quotations of five (5) or more typed lines? __ __ 35. Are all quotations
exactly accurate, including capitalization and ellipsis marks?
36. Do you correctly
and smoothly introduce every quotation from the poem and from
secondary sources? __
37. Do you make
clear where your use of each summarized or paraphrased source
begins by introducing it if necessary? __
38. Do you avoid relying too much on one secondary source at a time, smoothly
integrating references to various sources? __
39. Does the Works
Cited page
a. alphabetically list all sources
documented in the body (and only those)? __
b. list at least eight (8) secondary sources
and the primary source (from The Complete
Poems
of Emily Dickinson)? __
c. include a variety of different kinds of sources, including books and journal articles? __
d. list reputable academic sources rather than sources of questionable credibility? __
e. use correct MLA form for each entry
(including the library, location, access date,
and URL at the end of the entry for each source accessed by a library database)? __ __
STYLE
40.
Have you read your entire essay aloud to edit it sentence by sentence? __
41. Have you edited the essay to achieve variety in sentence length and structure? __
42. Have you edited your essay to eliminate awkward,
unclear sentences and to ensure
effective word choice? __
43. Have you edited your essay to eliminate wordiness? __
44. Have you edited your essay to substitute active-voice verbs for passive-voice verbs?
GRAMMAR AND MECHANICS
45. Have you proofread
to eliminate serious errors: sentence fragments, comma
splices, run-on sentences, agreement errors, and verb errors? __
46. Have you proofread to correct details of spelling,
grammar, and punctuation? __
47. Have you used spell-check
on the final document? __
48. Do you consistently use verb tenses,
a. using present tense to refer to the poem, to the poet’s artistry in creating the poem,
and to secondary sources? __ __
b. using past tense only for historical events? __
49. Have you proofread
the hard copy of the final document to eliminate all obvious
errors? (If you can’t reprint, make changes in black ink.) __