Study Guide for Exam #3
Humanities 2
Linebarger

Please study carefully your lecture notes and all the assigned reading in The Humanistic Tradition.  In addition to studying this material, prepare for the art, music, and literature portions of the exam in the following ways:

ART

You are responsible for the following images. Be able to identify each slide and describe how it fits into a specific period.  You are also responsbile for knowing the general characteristics each of the "isms" listed below.

Realism:

Kollwitz, "The March of the Weavers," (p. 78)
Courbet, "The Stone-breakers" (p. 95), "Burial at Ornans" (p. 96-97)
Daumier, "The Third-Class Carriage" (p. 99)
Manet, "Luncheon on the Grass (Le Dejeuner)" (p. 100), "Olympia" (p. 101)
Tanner, "The Banjo Lesson" (p. 103)

Symbolism:

Hodler, Ferdinand, "The Chosen One" (p. 113)

Impressionism:
Monet, "Impression: Sunrise," (p. 114); "Water-Lily Pond" (p. 115)
Renoir, "Le Moulin de la Galette" (p. 116)

Postimpressionism

Van Gogh, "The Starry Night," (p. 132)
Seurat, "A Sunday Afternoon on La Grande Jatte" (p. 135)
Toulouse Lautrec, "Jane Avril," "At the Moulin Rouge," (p. 121-122)

<>Cubism
Picasso, "Les Demoiselles d'Avignon" (p. 7); "Man with a Violin" (p. 8)

Futurism
Boccioni, "Unique Forms of Continuity in Space" (p. 11)
Balla, "Streetlight" (p. 10)
Duchamp, "Nude Descending a Staircase" (p. 12)

Abstraction
Brancusi, "Bird in Space" (p. 14)

Nonobjective Art
Kandinsky, "Panel for Edwin Campbell,"  (p. 15)

Expressionism:
Munch, "The Scream" (p. 35)

Dada:
Duchamp, "Fountain" (p. 39), "L.H.O.O.Q" (p. 39)

Surrealism,
Dali, "The Persistence of Memory" (p. 43)

MUSIC

You are responsible for knowing the general characterisitcs of each type of music.  You are also responsible for identifying music listenening examples.

Impressionism: Debussy, "Prelude to the Afternoon of a Faun"
Primitivism: Stravinsky, "The Rite of Spring"
Expressionism and Atonal Music: Schoenberg, "Heimweh" from Pierrot Lunaire

LITERATURE/PHILOSOPHY

You are responsible for the following works:

<>Kilping, "The White Man's Burden" (p. 74)
Marx and Engels, "The Communist Manifesto" (p. 79-81)
Ibsen, "Doll's House" (pp. 90-92)
Nietzsche, "The Gay Science" (p. 110)
Pound, "In a Station at the Metro" (p. 4)
Kafka, "The Metamorphosis" (p. 32-33)
Cummings, "she being Brand" (p. 34-35)

VOCABULARY

<>proletariat (108)
abstraction, atonality, avant-garde, nonobjective art (p. 26)